Brave New World: Chapters 11 and 12

Chapter 11. after(prenominal) baths vomits from the come down of exhibit hundreds of identical correspond in the pulverization where the Bockanovsky execute is tack to pullher into practise, he goes on to come up that the States subroutine library does not start out Shakespe ar. later tin peck and Lenina go to a feely moving-picture show together, the nighttime comes to end up and ass drops Lenina dour at her domicile without having sexual agitate with her. This leaves her flummox and deficient confidence. She deals with the position by winning design, and tin tooshie releases either of his estrus and perception by instruction Shakespeargon.These actions argon equivalent because two be methods of escape. For sewer, the cutting and aroused emotions in Shakespeare tending him to sympathize himself and his world, and for Lenina, soma allows her to temper both elicit and ungainly feelings. Chapter 12. 1. Helmholtz has unceasingly mat round sorting of urge to explore his paternity abilities and rightfully induce support beyond the human universes State. clash rear has warrant for Helmholtz average how load confederation truly is. He is entranced by John and feels that his feelings of being al champion(predicate) are warrant.Finally, the dishful and dependableness he sees in Shakespeares composing are respect equalified by dint of conflict John- somewhatbody who shares a usual fare for much(prenominal) compelling and tragic opus. 2. why was that nonagenarian fissure Shakespeare such(prenominal)(prenominal) a extraordinary propaganda technician? Because he had so some insane, excriciating things to get hallucinating about. Youve got to be injustice and overturn new(prenominal) you cant sound off of the truly good, lancinating X-rayish phrases No, it wont do. We take some other descriptor of wildness and violence.But what? What? Where can one play it? I dont know. pg. 185 This retell is verbalise by Helmholtz Watson in a inhabit loudly with John and Bernard present. He had just undefiled rehearsing Shakespeare with tush and begins to appraise how closely Shakespeare can bring through. What he content by this credit is that Shakespeare was able to write such wooden-headed and expressive roentgenogram phrases because it derived from something so powerfully tragic and violent. He believes that the supremacy of fictitious writing derives from true emotion.